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HAZRAT INAYAT KAHN
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From
the beginning of time, sacred movement, song and story have brought
people together - at times of seasonal ceremony and celebration, as
part of everyday life and life passages, in daily renewal and
meditation, etc... The Dances of Universal Peace are part of this
timeless tradition of Sacred Dance.
As
in these timeless mystic traditions, the Dances use simple music,
lyrics, and movements to touch the spiritual essence within ourselves
and others. No musical or dance experience of any kind is required and
everyone is welcomed to join in. Participation, not presentation, is the focus.
No special attire is required, although comfortable, loose-fitting
clothing is best. Participants join hands forming a circle with the
Dance leader and other musicians in the center. Throughout the evening,
the leader teaches the group the words, melody, and movements for the
next Dance and often provides some background history about that
particular Dance. The teaching is always done from a compassionate
heart in a comfortable, quiet, and often sacred setting.
The movements
and songs drawn from over 400 Dances include themes of peace (both
inner and outer), healing (the Earth, individuals, and the global
family), and the celebration of life's great mystery. Dancers focus on
peace and harmony creating a sense of solidarity and community while
celebrating the underlying unity of all the spiritual traditions of the
Earth. By experiencing these many traditions, a greater understanding
and appreciation of other cultures, as well as one's own heritage, is
gained.
When Dance lyrics include sacred phrases in their own native languages,
special attention is given to insure that all have ample opportunity to
pronounce the foreign words comfortably and correctly. Leaders usually
make a point to have the group first speak and then sing the unfamiliar
words. Most Dances are only four lines long and repeated many times, so
learning is usually quick and easy - within ten minutes people are
moving, singing, and sharing together.
The mood of the Dances is infinitely variable, evoking feelings of
love, joy, and compassion. Whether invoking the compassion of the
Buddhist Qwan Yin, celebrating the playful energy of Krishna, or
experiencing the related emotion of any other spiritual figure, dancers
take part in a dynamic relationship between the group, individuals, and
the self.
The Dances are an experience that all the world should be fortunate
enough to enjoy. Hopefully as the Dances of Universal Peace continue to
spread, the world will.
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MURSHID SAM
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The
Dances of Universal Peace were brought together in the late 1960's by
Samuel L. Lewis (1896-1971), a Sufi Murshid (teacher) and Rinzai Zen
Master, who also studied deeply in the mystical traditions of Hinduism,
Judaism, and Christianity. In this creation, Lewis was deeply
influenced by his contact and spiritual apprenticeship with two people:
Hazrat Inayat Khan, who first brought the message of universal Sufism
to the West in 1910, and Ruth St. Denis, a feminist pioneer in the
modern dance movement in America and Europe.
From his rich life experiences, Lewis in his early 70's began to envision and create the Dances as a dynamic method to promote "peace through the Arts".
From the early days and his original body of about 50 dances, the
collection has grown since his passing to more than 500 dances which
celebrate the sacred heart of Hinduism, Buddhism, Zoroastrianism,
Sikhism, Judaism, Christianity, Islam, and the Aramaic, Native
American, Native Middle Eastern, Celtic, Native African, and Goddess
traditions.
During the past
30 years, the Dances have spread throughout the world, touching more
than a half million people in North and South America, Europe, the
former Soviet Union, Japan, India, Pakistan, Australia, and New
Zealand. Further networking and citizen diplomacy through the Dances
are also beginning in South Africa and the Middle East. New grassroots
Dance circles are continually springing up around the globe, with
anywhere from 40 to 60 meeting weekly or monthly in the United States
alone.
The Dances of
Universal Peace have evolved and expanded in practical application to
meet the deep felt needs today for rediscovering reverence, creativity,
and a body-based connection to the natural world. Teachers share the
Dances in schools, therapy groups, prisons, hospice houses, drug
rehabilitation centers, homes for the developmentally disabled,
retirement villages, holistic health centers, and ecumenical worship
celebrations.
They continue to
be, as Samuel Lewis envisioned them, a way to make life-energy and the
peace that passes understanding a reality for all who come in contact
with them.
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